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1999 This “anti-manifesto”
is addressing the ones, disabled in use of their senses of perception,
which leads sensations to the exact part of a human intellect, that
revives imagination; and those, who infer subjective, in this case
must not. Ideally, and thematically, the shapes represent universal
current state of mind, and its quality, expressed in a distinctive
states of consciousness, and various forms of substance, pointing
at the same time, “resting place” of the individual beings, thoughts
or things, often absent, but not the inexistent. As an imitation
of a human, and nature of reality, even as the other side of reality,
such, artificial forms of the existence, often are its demystification,
if we are able to understand them. Only intuitive and racional we
possess, helps relating two universes, mans, and the one beyond
him, through art. It is unlikely, today, that any exibition of artistic
nature, can effect a global conscious transformation, which
is delusively, but still, squatted by content, ejaculated from the
circles of decadent, quasi-intellectual and quasi-artistic society,
but definitely can stimulate its expanding (for better comprehense
of art only). Tragic is the existence of such “sociosculpture”,
which is not purely artistic, because it directs to a
mind handicap of the present time. When the intelligence, and emotional
defect abolish, it will remain the idea of the world, which had
to be different, for art sake, and not the one, dedicated to the
humankind that wails for altering and ennobling, but art that
exists for itself.
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